Dr. Nick Virzi is a composer from New York City whose work includes acoustic, electronic, and electroacoustic music, as well as intermedia pieces and multichannel installations. His recent pieces explore the relationships between humans and the natural world, numerology and rhythmic structure, and ethnography and identity. His practice includes field recording in nature preserves, orchestration of rhythmic frameworks based on complex numerical systems, and ethnographic research focused on collecting and adapting archival media as an exploration of his identity as an Italian-American. Nick’s music has been performed throughout the USA and internationally by leading artists such as cellist Séverine Ballon, soprano Tony Arnold, the Los Angeles Percussion Quartet, the JACK Quartet, the Spektral Quartet, Splinter Reeds, Quince Contemporary Vocal Ensemble, Ensemble Liminar, Distractfold, the Ekmeles Vocal Ensemble, the TAK Ensemble, and Ensemble Dal Niente. He has been a featured composer at international festivals including Gaudeamus Muziekweek and the Impuls Academy and at venues such as the Juilliard School in NYC and the Royal Academy of Music in Aarhus, Denmark. His recent projects include “Convergent Boundaries” for Percussion Trio and Electronics, an electroacoustic piece commissioned by the Novalis Music and Art Festival and premiered by Line Upon Line Percussion. Dr. Virzi completed his D.M.A. in Music Composition at Stanford University, where he studied with Mark Applebaum and Brian Ferneyhough. He recently completed the H&S Dean’s Fellowship at Stanford University, where he was a Lecturer in the Department of Music and the Center for Computer Research in Music and Acoustics (CCRMA).