Her music explores timbre as a living material, intertwining experimentation, ritual, and chance to generate constantly metamorphosing soundscapes. Through prepared instruments and physical gestures, she seeks to transform sound into a language that reflects social tensions and becomes an emotional outlet, similar to Pollock's drip painting. His compositions are collective and cathartic experiences, in which fragility, conflict, and poetry coexist, offering the listener a space for immersion and participation.